
With their excellent new single "Damaged", Diddy's Danity Kane show signs of actually being able to transcend their early-"poor man's Pussycat Dolls" tag and possibly emerge as a solid equivalent to the pre-fabricated girl group ensembles ruling the roost overseas (Girls Aloud, Sugababes).
A perfect summation of the international dance-pop sound they doggedly pursued on the recent season of MTV's "Making The Band", "Damaged" instantly steals your attention with it's hard-hitting opening attack of thumping 4/4 drums and desperate, syncopated vocals. "Do, do you have a first aid kit handy?/ Do, do you know how to patch up a wound, tell me?", Shannon forcibly blurts out, shattering the arguable misconception of being the group's most forgettable member. It's one of many lyrical hooks the song throws at you, based in a clever take-off of women desperate for their new beau to be the rescuer of their beat-up heart.
While tunes that are production-heavy like this tend to be satisfied leaning on the underwhelming robo-girl strut for the entire length (think the annoyingly linear "Feedback"), Danity Kane opt on not being dwarfed by the sonics, instead taking the chance to show off their vocal-arranging skills by littering the insides of the beat with spectacular harmony dynamics and dizzying lead singer switch-offs that assist in keeping the record from ever losing it's high-energy potency. The studio-crafted razzle-dazzle also takes some interesting detour routes, taking an understandable breather three-quarters of the way through as it adjusts the pace to a mid-tempo stutter-step.
Despite their multi-racial makeup, cool anime-like name, strong individual pipes and a fluke hit with the featherweight, snap & b guilty pleasure "Showstopper" a few years back, not much was really expected out of the reality-TV configured group. But based on the wildly catchy "Damaged", one you'll definitely find yourself secretly replaying in the car with the windows all rolled up, a great pop singles act could be upon us.
DL: "Damaged" (YFH)


2 comments:
I'm glad I'm not the only one who secretly loves this song.
I've been inexplicably hooked on this song for a week or two, despite the fact that I'm too old to be the target demo for DK.
Your comparison of the track to "Feedback" finally nailed why I've since deleted Janet's (bless her heart) sleep-inducing track. I'll take nice harmonies and stutter-cutting of the vocals over Brit & Co.'s abuse of the digitized/robogirl fx.
That said, I can do without Aubrey's yelled note mid-song.
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